Oregon Movies, A to Z » 1940’s

BPA Film Collection: Volume One, 1939-1954

Anne Richardson — Fri, 17 Jan 2014 08:10:33 +0000

Members of the BPA chapter of the Elmer Buehler Fan Club, Libby Burke in the center.

This 2 DVD set was made for you and me!

The Friday Film Festival held by Bonneville Power Administration in March 2013 was so successful the curator of the series, research librarian Libby Burke, decided to release the films on DVD. She selected six, spanning 1939 to 1954. The first, Hydro (1939) was directed by Gunther V. Fritsch, (you know, the guy who went on to direct The Curse of the Cat People in 1945). The second, The Columbia (1949), features songs written for it by Woody Guthrie. The third, Highline (1950) focuses on long distance transmission of electricity. All three were produced by Stephen B. Kahn.

Stephen B. Kahn boasted that he discovered Woody Guthrie. He made the hire, at the recommendation of Alan Lomax, before Woody was famous. It was 1941. Kahn hired Woody to come to Portland for one month to write songs. He was assigned a driver, BPA employee Elmer Buehler, and with Woody in the back seat strumming his guitar, Elmer drove up and down the “Power Stream” as Stephen Kahn liked to call the mighty Columbia River. Woody wrote a song a day during that month. He was paid $266.

One song was Pastures of Plenty. Another was Roll On, Columbia. Both were first recorded here in Portland, at the BPA office.

During the McCarthy era, when political winds had changed, Elmer Buehler, the patron saint of Oregon film archivists, was ordered to destroy all BPA’s prints of Hydro and The Columbia. He refused to do it, and sequestered one print of each in his basement.

Elmer Buehler (1911 – 2010)

I propose we hold an annual Elmer Buehler Film Festival of rescued films in his honor. In the meantime, you can hear Woody Guthrie perform the songs he wrote in the back seat of Elmer’s car on The Columbia, the second film on the first DVD.

The second DVD has Power Builds Ships (1942), showcasing PNW ship building as part of the war effort. 25,000 Volts Under The Sea (1951) documents the rural electrification of the San Juan Islands. Look To The River (1954), about the construction of the McNary Dam and the Hungry Horse Dam, features a score by Ernest Gold, who hadn’t yet won his Oscar.

Taken together, the series forms a composite portrait of the river, a forceful, magnetic, photogenic presence, and of the people who spent their lives attempting to tame it. Libby Burke’s introductions provide an inside track on the personalities behind the films. These films were made during a comparatively fallow period, when it comes to indigenous Oregon filmmaking, so the interface between BPA and Hollywood is especially fascinating.

From the BPA website:

And the BPA Library is offering the newly released set to the general public, particularly to teachers, schools, libraries, Northwest electric utilities and other public institutions. To receive a copy, contact BPA’s Public Information Center at the agency’s headquarters in Portland at 503-230-4636 (toll-free: 800-622-4520) or pic@bpa.gov. In addition, all six films are available to view and share on BPA’s YouTube channel.

I hereby claim all the films included in the BPA Film Collection: Volume One, 1939 – 1954, as Oregon films, based on the location of the producer, Bonneville Power Administration, in Portland.

The Columbia (1949)

Anne Richardson — Sun, 24 Apr 2011 03:45:47 +0000

Thirty million horsepower!

The narrator cannot make up his mind what this film is about, so he tries to keep up with the rush of onscreen images, covering Indians, Oakies, bears, salmon, orchards, forests, deserts, the War Effort, aluminum, and hydroelectric plants. See if you can keep up with him.

Woody Guthrie was hired by Bonneville Power Authority PR man Steven B. Kahn in 1941 to write songs for a promotional film about dams on the Columbia. WWII delayed production — but you can learn all that from watching the film. You hear Guthrie at times on the soundtrack. He doesn’t appear on screen.

I hereby claim The Columbia as an Oregon film, on the basis of the subject matter and the location shooting.

“This film belongs to you and me.”

King of the Rocket Men (1949)

Anne Richardson — Sat, 08 Nov 2008 05:04:57 +0000

Oregon cinematographer Ellis Carter shot this twelve chapter Republic Movie serial, which followed the adventures of atomic energy scientist Jeff King, “a jet-suited do gooder who soared the air to restore justice. His suit displayed three knobs. One said “on” and “off.” Another said “up” and “down.” And the last said “fast” and “slow.” From www.imagesjournal.com.

A better view of King’s suit, for you DIY rocketeers. My favorite part: the shoes.

I hereby claim the entire serial King Of The Rocket Men as an Oregon film, on the basis of the contribution made by the cinematographer, Oregonian Ellis Carter.

Harry Smith/Oregon filmmaker

Anne Richardson — Sat, 08 Nov 2008 04:33:05 +0000

Most famous for his Anthology of American Folk Music, issued by Folkways in 1952, Harry Smith also pioneered abstract animation, attempting to fuse color, motion and sound. His first films were created specifically to be shown in San Francisco jazz clubs.

Entirely self taught, Smith later used the same stop motion collage technique explored by Portland avant garde filmmaker Jim Blashfield.

Harry Smith, a truly unclassifiable American genius, was born in Portland in 1923.

This post brought to you by the Oregon Cartoon Institute.