Recognizing that the question deserves a book length examination, I took the first step elsewhere on the internet.

Here’s a excerpt, about Toni and Candace:

Who needs books? They have each other. They are Adam and Eve. Laurel and Hardy. Akbar and Jeff.

Read the rest …

Members of the BPA chapter of the Elmer Buehler Fan Club, Libby Burke in the center.

This 2 DVD set was made for you and me!

The Friday Film Festival held by Bonneville Power Administration in March 2013 was so successful the curator of the series, research librarian Libby Burke, decided to release the films on DVD. She selected six, spanning 1939 to 1954. The first, Hydro (1939) was directed by Gunther V. Fritsch, (you know, the guy who went on to direct The Curse of the Cat People  in 1945). The second, The Columbia (1949), features songs written for it by Woody Guthrie. The third,  Highline (1950) focuses on long distance transmission of electricity. All three were produced by Stephen B. Kahn.

Stephen B. Kahn boasted that he discovered Woody Guthrie. He made the hire, at the recommendation of Alan Lomax, before Woody was famous. It was 1941. Kahn hired Woody to come to Portland for one month to write songs. He was assigned a driver, BPA employee Elmer Buehler, and with Woody in the back seat strumming his guitar, Elmer drove up and down the “Power Stream” as Stephen Kahn liked to call the mighty Columbia River. Woody wrote a song a day during that month. He was paid $266.

One song was Pastures of Plenty. Another was Roll On, Columbia. Both were first recorded here in Portland, at the BPA office.

During the McCarthy era, when political winds had changed, Elmer Buehler, the patron saint of Oregon film archivists, was ordered to destroy all BPA’s prints of  Hydro and The Columbia. He refused to do it, and sequestered one print of each in his basement.

Elmer Buehler (1911 – 2010)

I propose we hold an annual Elmer Buehler Film Festival of rescued films in his honor. In the meantime, you can hear Woody Guthrie perform the songs he wrote in the back seat of Elmer’s car on The Columbia, the second film on the first DVD.

The second DVD has Power Builds Ships (1942), showcasing PNW ship building as part of the war effort. 25,000 Volts Under The Sea (1951) documents the rural electrification of the San Juan Islands. Look To The River (1954), about the construction of the McNary Dam and the Hungry Horse Dam, features a score by Ernest Gold, who hadn’t yet won his Oscar.

Taken together, the series forms a composite portrait of the river, a forceful, magnetic, photogenic presence, and of the people who spent their lives attempting to tame it. Libby Burke’s introductions provide an inside track on the personalities behind the films. These films were made during a comparatively fallow period, when it comes to indigenous Oregon filmmaking, so the interface between BPA and Hollywood is especially fascinating.

From the BPA website:

And the BPA Library is offering the newly released set to the general public, particularly to teachers, schools, libraries, Northwest electric utilities and other public institutions. To receive a copy, contact BPA’s Public Information Center at the agency’s headquarters in Portland at 503-230-4636 (toll-free: 800-622-4520) or pic@bpa.gov. In addition, all six films are available to view and share on BPA’s YouTube channel.

I hereby claim all the films included in the  BPA Film Collection: Volume One, 1939 – 1954, as Oregon films, based on the location of the producer, Bonneville Power Administration, in Portland.

Thirty million horsepower!

The narrator cannot make up his mind what this film is about, so he tries to keep up with the rush of onscreen images, covering Indians, Oakies, bears, salmon, orchards, forests, deserts, the War Effort, aluminum, and hydroelectric plants. See if you can keep up with him.

Woody Guthrie was hired by Bonneville Power Authority PR man Steven B. Kahn in 1941 to write songs for a promotional film about dams on the Columbia. WWII delayed production — but you can learn all that from watching the film. You hear Guthrie at times on the soundtrack. He doesn’t appear on screen.

I hereby claim The Columbia as an Oregon film, on the basis of the subject matter and the location shooting.

“This film belongs to you and me.”

Behold the man who made Portland Expose, a 1957 exploitation film inspired by Rose City corruption, possible.

TIME MAGAZINE - Monday June 4, 1956

One night in Portland an alert police reporter for the Oregonian (circ. 230,238) noted that there were suddenly no detectives around police headquarters. Sniffing a story, he demanded an explanation from the police chief. The chief kept mum a secret that was being withheld even from the paper’s night city desk: detectives were out guarding the Oregonian’s Reporters Wallace Turner and William Lambert and their families while the pair were digging into one of the messiest official scandals in Northwest history.

The big story broke in April, and by last week it had state officials, from the governor down, involved in the uproar. The Oregonian’s sensational accusations: top Western officials of the International Brotherhood of Teamsters were conspiring with Seattle gamblers to 1) control Portland’s law-enforcement agencies, 2) organize all the city’s rackets, from pinball machines to prostitution. The Page One story put S. I. Newhouse’s staid Oregonian into a running fight not only with local officials but also with its opposition daily, the Oregon Journal (circ. 183,123). Read more…

I don’t recommend you see Portland Expose (unless you are made of sterner stuff than I, which you probably are, and then more power to you)  but Oregon film history scholars out there should know about Wallace Turner, whose reporting uncovered the rottenness which inspired that gleefully low minded film, and whose obituary recently appeared in the New York Times.

Although his Portland corruption investigation won a Pulitzer in 1957, Mr. Turner often said he was most proud of an investigation he had done five years earlier. The series revealed how officials in the federal Bureau of Indian Affairs had cheated Native Americans out of ancestral lands.

Mr. Turner’s West Coast coverage for The Times included articles on oil spills in Alaska; the strange last years of Howard Hughes; the manhunt for the so-called Green River Killer, sought in the murders of dozens of women; Seattle’s skid row; and the liberalization of Oregon’s marijuana laws.

Oregon Movies, A to Z salutes Wallace Turner, and observes a moment of silence honoring the past glories of long form investigative journalism.